I invite everyone to become a friend on FaceBook. This is a great place to keep in touch. I will also post progress videos of customer's instruments in the making!
Thank you,
WarrNEWS
February 24, 2009
February 22, 2009
April 30, 2008
"Gunning for Warr" by Winston Barclay
Just published by Premier Guitar Magazine and written by Winston Barclay!
A look into Warr guitars through the eyes of their creator, Mark Warr, and their most prominent player, Trey Gunn.
Visit "Premier Guitar" magazine and read "Gunning for Warr" written by Winston Barclay.
April 29, 2008
Interview with Colin Marston, KRUA 88.1 FM
KRUA 88.1 FM Anchorage, Radio show "Adrenaline Therapy" interviews Colin Marston about his band "Behold the Arctopus" and his Warr Guitar.
Download Behold_the_Arctopus_interview_pt_1_air_9-27-06.mov
Download Behold_the_Arctopus_interview_pt_2_air_9-27-06.mov
April 28, 2008
Stylus Magazine Article "Behold..The Arctopus / Byla & Jarboe"
Behold..The Arctopus / Byla & Jarboe
Skullgrid / Viscera
Few musicians create their own vocabularies; fewer create their own worlds. While Colin Marston and Kevin Hufnagel have made diverse, quality music on their own, it's fortunate they found each other, as few others speak their musical language. Together, they fuse prog rock, jazz fusion, modern classical, technical metal, black metal, and ambient music into an idiosyncratic whole, parceled out to various ensembles. Their instrumental rock trio Dysrhythmia inhabits the middle of this universe. Behold...The Arctopus and Byla are extensions outwards in opposite directions, ultimately meeting full circle.
Behold...The Arctopus sound like more than the instrumental trio they are. This is due to Marston's Warr guitar, a strange instrument......
December 28, 2007
Fuzzy Logic Boptet CD Now Available at Abstract Logix
Playing Favorites, the new CD from the LA-based group Fuzzy Logic Boptet, is now available on the progressive music distribution website Abstract Logix.
Warr guitarist Jim Wright plays his Phalanx-12 on most of the CD, some of which was recorded live, and all of it with little or no effects, showcasing the incredibly full sound of this instrument, and the all 4ths tap-guitar tuning used.
Polly Klemmer's progressive piece "Gate Array" (which can be heard at the link below) is the only song on
which overdrive was used on the PH-12 guitar side, and demonstrates the
anti-crosstalk features of this model very well.
On the song Midnight (written by saxophonist Robin Rader, and which can be previewed at the link below), Jim uses a Warr Artisan semi-hollow-body 12-string with all nylon strings, perhaps one of the first recordings of it's kind.
The CD is also available at CD Baby, and Amazon.
www.abstractlogix.com/mymusic/fuzzylogicboptet
